ACAH Small Grants

The Association for Chinese Art History (ACAH) is offering small grants in two categories: research grants of up to USD$750 and conference travel grants of up to USD$500. The aim of the research grants is to support scholarship in Chinese art and architectural history and the visual cultures of global and diasporic Chinas by providing funding opportunities, especially at critical professional turning points. The conference travel grants are intended to facilitate travel for those who have been accepted to present a paper at an academic conference.

The grants may be applied toward research or conference travel, research materials, image permissions, and copyediting, and are intended to augment other sources of funding.  Applications for conference travel may not support travel to the Association for Asian Studies Annual Conference. This grants program is available only to current ACAH members. Funds will be paid by reimbursement and the payment request must be submitted within 30 days after the event and not later than 60 days with a final deadline of June 15, 2026 (whichever comes first). Grant recipients will be asked to credit ACAH and Bei Shan Tang Foundation support in the research output, and to submit a brief report after completion of the research activity.

To apply, please submit the following in one pdf file to achinesearthistory@gmail.com by November 3, 2025:

  • If applying for the research grant: proposal (500 words maximum) that includes: (1) the scope of the project, (2) the uses for the small research grant, (3) the impact of the proposed research output on the applicant (for example, dissertation research and writing, tenure application, etc.), (4) budget, and (5) CV.
  • If applying for the conference travel grant: proposal (500 words maximum) that includes: (1) abstract for accepted paper, (2) the impact of participation in the conference on the applicant (for example, feedback on research, network building, etc.), (3) budget, and (4) CV. Please also include (5) a letter of acceptance or conference program.

Present ACAH board members are not eligible to apply. Only one ACAH funding opportunity will be granted to applicants in the same year. Applicants may not receive funding from the same ACAH funding opportunity in consecutive years. Actual awards will depend on applications and available funding.

Notification will be made by December 12, 2025.

Previous grant recipients

2025
Research grants
Michael Norton research at the National Museum of Asian Art (NMAA) for the dissertation, “The Universe Incarnate: Cosmic  Diagrams and Embodied Soteriology in Medieval China”
Mo Zhang research at the Art Institute of Chicago for the dissertation, “Pushing Up the Thatched Awning: Painting, Vision, and Mind in Fifteenth-Century China”
Conference travel grants
Filippo Grassi, “Nature, Human, Crisis, Tradition: Ecological perspectives in the
work of Chuang Che and Huang Chih-yang,” Mid-Atlantic Region Association for Asian Studies, Pittsburgh, PA
Henning von Mirbach, “Fresh Water and Tender Leaves: Tea Drinking in Ming China amid the Limited Availability of Natural Resources,” International Conference on Ming–Qing Studies, Taipei
Sizhao Yi, “Melancholic Things: Sensing Time in Early-Qing Paintings,” Sixteenth Century
Society, Portland, OR

2024
Research grants
Jiayi Zhu field research in Hangzhou for the dissertation, “A Buddha Land for All? The Kings’ Plan and Practitioners’ Religious Landscape during the Wuyue Kingdom (907-978)”
Adam Monohon visit to the Peabody Essex Museum and Harvard University libraries for dissertation research on 19th-c. landscape photography in the Wuyi Mountains, Fujian
Conference travel grants
Maximilian Langefeld, “Difference, Dissonance, Discord? Queer Curatorial Activism in a Harmonious Society” and Co-Chair of another session, “Up in Arms: Aesthetics of Resistance and Solidarity in Contemporary Art,” College Art Association, New York, NY
Emma Laube, “Perceptions of Jade in Republican China: Handicraft Tradition and the 1937 Paris Exposition in Shanghai,” American Historical Association, New York, NY
Guan-Fan Tan, Convenor, “Expressing Divinity, Evoking Devotion: Interweaving Networks Surrounding Chinese Buddhist Artifacts,” Association for Art History, York, UK
Keyu Yan, “Beijing to Hangzhou: Maryn Varbanov and the Significance of Mixed Media in Post-Mao China,” College Art Association, New York, NY

2023
Research grants
Tiffany Wai-Ying Beres collaboration with artist Hong Xian (Margaret Chang) for a presentation at the “Nomadic Artist in the Chinese Diasporas” conference (College Park, MD) and a potential retrospective exhibition
Isabel McWilliams visit to the Art Institute of Chicago for research on both the dissertation, “In Situ Actualization: The Hyper-bodied Bodhisattva in Eighth-Century East Asian Buddhist Art,” and a separate project on flora in Tang-period art

ACAH Sponsored Chinese Art History Panels at the AAS Annual Conference

The Association for Chinese Art History (ACAH) seeks submissions for two sponsored panels at the 2025 Association for Asian Studies Annual Conference (Vancouver, B.C., Canada, March 12-15, 2026). With support from Bei Shan Tang Foundation, ACAH is pleased to provide funding to two panels for which the majority of the papers (two out of three; three out of four) focus on Chinese art and architectural history and the visual cultures of global and diasporic Chinas, from any historical period. Costs for round trip conference travel, ground transportation, and lodging at the standard room rate will be reimbursed up to a maximum of USD$1500.00 for each panel.
To apply, please submit the following in one pdf file by November 3, 2025 to achinesearthistory@gmail.com: (1) confirmation of panel acceptance, (2) panel and paper abstracts, (3) CVs of each panelist.
Panelists are encouraged to become members of ACAH, but are not required to do so in order to apply for or accept AAS panel sponsorship. Only one ACAH funding opportunity will be granted to applicants in the same academic year. Applicants may not receive funding from the same ACAH funding opportunity in consecutive years.
Notification will be made by December 12, 2025.

Previous ACAH sponsored sessions

2026 :: Vancouver, BC
Technologies of Transformation: Crafting Stones and Knowledge in Chinese Material Culture
Organizer and Chair: Kuldip Kaur Singh
Presenters: Yixu Eliza Chen, Kuldip Kaur Singh, Gillian Yanzhuang Zhang
Discussant: Michael J. Hatch
Buddhist Sacred Space: Material, Visual, and Ritual Constructions
Organizers: Yuchen Liou, Jiayi Zhu
Chair: Paul Copp
Presenters: Yuchen Liou, Zixuan Wang, Jinchao Zhao, Jiayi Zhu
Discussants: Paul Copp, Jeehee Hong

2025 :: Columbus, OH
Redrawing the Border: New Approaches to Exhibition Culture in Twentieth-Century Asia
Chair: Christine Ho
Presenters: Pedith Pui Chan, Feng Guo, Ping Fen Li, Anran Tu
Constructing the Sacred in Daoist Visual Art
Chair: Tianjie Yin
Presenters: Mengyuan Chai, Yue Dai, Tianjie Yin
Discussants: Shih-shan Susan Huang, Maggie Wan

2024 :: Seattle, WA
Instability and Geopolitical Dynamics in Postwar “Sinophone Art”
Organizer: Kathy Yim King Mak
Chair: Kuiyi Shen
Presenters: Kuo-Sheng Lai, Kathy Yim King Mak, Doris Sung, Aida Yuen Wong
Discussant: Chia-Ling Yang
Roundtable: Perspectives on Curating Chinese Art Today
Chair and Organizer: Zoe Kwok
Panelists: Birgitta Augustin, Vivian Li, Stephen Little, Seung Hee Oh, Jan Stuart

2023 :: Boston, MA
Beyond Nomadism, through Buddhism: Tibeto-Mongol Visual and Material Culture in China (in-person)
Chair: Shih-shan Susan Huang
Presenters: Wen-shing Chou, Chiara Gasparini, Eiren Shea, Xiaotian Yin
Discussant: Anne Feng
Art, Geopolitics, Cold War: Drawing China’s Cultural Belt in the 1950s (virtual)
Organizer and Chair: Yiqing Li
Presenters: Christian Langer, Yiqing Li, Kuiyi Shen, Yang Wang
Discussant: Julia F. Andrews

ACAH Virtual Speaker Grants

The Association for Chinese Art History (ACAH) is offering up to three Virtual Speaker grants of up to USD$350 each, which is intended to support the honorarium of a guest speaker. The aim of this grant is to provide opportunities for scholars to host virtual lectures that contribute to student and community engagement with Chinese art and architectural history and the visual cultures of global and diasporic Chinas by providing opportunities for interaction with scholars outside of the home institution, and to raise the profile of Chinese art and architectural history and the visual cultures of global and diasporic Chinas more generally.

This grant program will allow a faculty member to invite one guest speaker (art historian, artist, museum or cultural sector professional) to deliver a virtual lecture. The lecture should be made available to the faculty member’s home department and institution, ACAH members, and the general public. The grant is intended to cover the speaker’s honorarium. Faculty applicants must be current ACAH members; guest speakers are not required to be ACAH members. Funds will be paid directly to the guest speaker and the payment request must be submitted within 30 days after the event and not later than 60 days with a final deadline of June 15, 2026 (whichever comes first). The grant recipient will be asked to credit ACAH and Bei Shan Tang Foundation support in the publicity for the lecture, and will be asked to submit a brief report after completion of the programs.

To apply, please submit the following in one pdf file to achinesehistory@gmail.com by November 3, 2025:

  • Proposal (500 words maximum) that explains (1) 2-3 potential guest speakers and topics (expressions of interest may be sought, but please do not issue speaker invitations at this point), and (2) how the guest speaker’s area of expertise will enhance the teaching and/or research of the faculty applicant and facilitate engagement with Chinese art and architectural history and the visual cultures of global and diasporic Chinas at the faculty applicant’s home institution.
  • ACAH will publicize the virtual lecture through the member listserv. In addition to this, how will the faculty applicant publicize the event?
  • Faculty applicant’s CV.

Present ACAH board members should not be considered as potential guest speakers. Only one ACAH funding opportunity will be granted to applicants in the same academic year. Applicants may not receive funding from the same ACAH funding opportunity in consecutive years.

Notification will be made by December 12, 2025.

Previous grant recipients

2025
Ruiying Gao (Wake Forest University), for a public lecture by
Elizabeth Kindall (University of St. Thomas), “Fame and Filiality: Huang Xiangjian Paints the Sublime Southwest,” March 25

2024
Amanda Wangwright (University of South Carolina), for a public lecture by
Anne Rose Kitagawa (Jordan Schnitzer Museum of Art, University of Oregon) on her exhibition Half the Sky: Women in Chinese Art, March 28

ACAH Visiting Speaker Grant

The Association for Chinese Art History (ACAH) is offering one Visiting Speaker grant of up to USD$1500. The aim of this grant is to lay the groundwork for student engagement with Chinese art and architectural history and the visual cultures of global and diasporic Chinas by providing opportunities for interaction with scholars outside of the home institution, and to raise the profile of Chinese art and architectural history and the visual cultures of global and diasporic Chinas more generally by providing an opportunity to invite a guest speaker for a public lecture.

This grant program will allow a faculty member to invite one guest speaker (art historian, artist, museum or cultural sector professional) to their campus in Spring 2026 for an in-person public lecture and an informal meeting with students to discuss their career and student research interests. Ideally, the guest speaker’s area of expertise and lecture topic will align with the faculty member’s teaching for the Spring 2026 academic term. The grant is intended to cover the speaker’s honorarium and to offset their travel expenses. The remaining expenses (meals, etc.) are expected to be covered by the grant recipient’s home institution. The faculty applicant must be a current ACAH member; the guest speaker need not be an ACAH member. Funds will be paid directly to the guest speaker and the payment request must be submitted within 30 days after the event and not later than 60 days with a final deadline of June 15, 2026 (whichever comes first). The grant recipient will be asked to credit ACAH and Bei Shan Tang Foundation support in the publicity for the lecture, and if possible, to make the lecture available to a broader audience in a hybrid mode, and will be asked to submit a brief report after completion of the programs.

To apply, please submit the following in one pdf file to achinesehistory@gmail.com by December 5, 2025:

  • Proposal (500 words maximum) that explains (1) 2-3 potential guest speakers and topics (expressions of interest may be sought, but please do not issue speaker invitations at this point), and (2) structure of the public and student programs, and (3) how the proposed programs align with the faculty applicant’s teaching in the Spring 2026 term and will impact student engagement with Chinese art and architectural history and the visual cultures of global and diasporic Chinas at the home institution.
  • Budget for the proposed programs, including possible sources of funding from the home institution.
  • Faculty applicant’s CV.

Present ACAH board members should not be considered as potential guest speakers. Only one ACAH funding opportunity will be granted to applicants in the same academic year. Applicants may not receive funding from the same ACAH funding opportunity in consecutive years.

Notification will be made by December 19, 2025.

Previous grant recipients

2025
Ruiying Gao (Wake Forest University), for a public lecture by
Elizabeth Kindall (University of St. Thomas), “Fame and Filiality: Huang Xiangjian Paints the Sublime Southwest,” March 25

2024
Amanda Wangwright (University of South Carolina), for a public lecture by
Anne Rose Kitagawa (Jordan Schnitzer Museum of Art, University of Oregon) on her exhibition Half the Sky: Women in Chinese Art, March 28

Bei Shan Tang Prizes

[administered by the Association for Asian Studies, and announced at the annual conference Presidential Address & Awards Ceremony]


Established through a grant from Bei Shan Tang Foundation in 2022, the Bei Shan Tang book prizes recognize research in Chinese art history.

Bei Shan Tang Monograph Prize

This award honors an outstanding and innovative sole-authored monograph on Chinese art history of any historical period published in the English language. Monographs published in 2024 are eligible for consideration for the 2026 awards.

Bei Shan Tang Catalogue Prize

This award honors outstanding sole- or co-authored research on Chinese art history of any historical period published in the English language. Catalogues published under the direction of a museum, library, or public or private collection, and exhibition catalogues published in 2024 are eligible for consideration for the 2026 awards.

Prize

$1,000 award for the author(s).

Guidelines for Submission

  • Books bearing a copyright date of 2024 will be eligible for the 2026 awards.
  • Books may only be nominated for one prize competition within each regional category; please see the main Book Prizes page for regional categories.
  • Publishers must complete the book nomination form.
  • Each press may nominate a maximum of six books per Bei Shan Tang Prize competition (monographs and catalogues are separate competitions).
  • Only publishers may nominate books.
  • Upon receipt of a completed nomination form, publishers will be provided with addresses for prize committee members. A copy of each entry, clearly labeled “Bei Shan Tang Book Prize,” must be sent to each member of the committee.

Books published by the Association for Asian Studies, Inc. are ineligible for consideration for prizes administered by the Association for Asian Studies. Employees of the Association are excluded from consideration for AAS book prizes, subventions, and grants. Publishers should check with authors to certify that they are not employed by the Association for Asian Studies, Inc. 

Nominations for the 2026 Bei Shan Tang Prizes are now closed. Winners will be announced in February 2026.

2026 Bei Shan Tang Prize Committee

De-nin Lee (Emerson College), Chair
Adriana Proser (Walters Art Museum)
Stephen Whiteman (Courtauld Institute of Art)

Previous prize recipients

2025
Bei Shan Tang Monograph Prize
Jeffrey Moser, Nominal Things: Bronzes in the Making of Medieval China (University of Chicago Press, 2023)
Bei Shan Tang Catalogue Prize
Jessica Harrison-Hall and Julia Lovell, editors, China’s Hidden Century 1796-1912 (British Museum, 2023)
Honorable Mention
Wen-shing Chou and Daniel M. Greenberg, editors, C.C. Wang: Lines of Abstraction (Hirmer, 2023)

2024
Bei Shan Tang Monograph Prize
Juliane Noth, Transmedial Landscapes and Modern Chinese Painting (Harvard University Asia Center, 2022)
Bei Shan Tang Catalogue Prize
Stephanie Tung and Karina Corrigan, editors, with Bing Wang and Tingting Xu, Power and Perspective: Early Photography in China (Peabody Essex Museum/Yale University Press, 2022)

2023
Bei Shan Tang Monograph Prize
Aurelia Campbell, What the Emperor Built: Architecture and Empire in the Early Ming (University of Washington Press, 2020)
Bei Shan Tang Catalogue Prize
Dora C. Y. Ching, editor, Visualizing Dunhuang: The Lo Archive Photographs of the Mogao and Yulin Caves (Princeton University Press, 2021)
Honorable Mention
Rachel Silberstein, A Fashionable Century: Textile Artistry and Commerce in the Late Qing (University of Washington Press, 2020)